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Foundling Museum hunts the lost portrait of a remarkable woman

a sepia print of a Georgian period lady

George Allen, Countess of Harold. Photograph National Portrait Gallery, London

The Foundling Museum is trying to track down a lost portrait of a remarkable woman who helped with the formation of the Foundling Hospital

The Foundling Museum’s current exhibition, Ladies of Quality & Distinction, brings together portraits of the 21 duchesses who signed Thomas Coram’s petition in the early 18th century to call for the establishment of the Foundling Hospital.

These ‘ladies of quality and distinction’ signed Coram’s 1735 petition to King George II, and although they were pivotal in the establishment of the hospital, they are often seen as a footnote to the male dominated history of the pioneering children’s home. Now they are being displayed together for the first time, replacing the portraits of male governors in the Picture Gallery.

But in putting together the exhibition the foundling’s 18th-century specialist, researcher Elizabeth Einberg, tracked down 20 portraits of the Duchesses from the time they signed the petition. But there is one – of the Countess of Harold – which they have been unable to locate, although images of the duchess in question exist.

The Museum has one image of a photograph of a painting by George Allen from a Christies sale catalogue of 1917 so it is believed the painting exists, but they have been unable to track down its owner.

a painted portrait of a Georgian lady leaning on a mantelpiece

A watercolour of Countess Harold. © Private collection

 

Sold as part of the Wrest Park sale at Christies on November 16 1917, it is thought the painting was bought by a dealer long since defunct – or perhaps an agent for somebody else.

For the exhibition the gallery managed to get hold of another image of the duchess – of a watercolour of a different painting whose record indicates that it was once too at Wrest Park.

Despite her portrait disappearing into the ether, Mary was a remarkable lady whose own life was not without misfortune and tragedy. The fourth daughter of Thomas Tufton, 6th Earl of Thanet, and Catherine Cavendish, she married Anthony Grey, 3rd Baron Lucas of Crudwell, Earl of Harold in 1718. But with the marriage still childless her young husband died ‘by being choaked with an ear of barley, which he had put in his mouth’.

In 1736, she became the third wife of the Tory politician (and later founding governor of the Foundling Hospital from 1739) John Leveson-Gower, 1st Earl Gower. They had two sons, joining ten children from his previous marriages. The noted artist and letter-writer, Mary Delany, remarked at the time ‘everybody thinks him a very lucky man to get a woman of her understanding and fortune’.

After Lord Gower’s death in 1754, Mary took over the administration of several charities endowed by her father’s will: Vauxhall Almshouses in Lambeth; a school for 24 poor children in Faversham, Kent and numerous Anglican church benefices and annuities. She died, aged 83, at Bill Hill, Berkshire, ‘from injuries by her dress taking fire’.

“We would love to track down the portrait of the duchess by George Allen,” says the Foundling’s Marketing Manager Hannah Thomas “We’re hoping that if we spread the word, then perhaps we might be able to locate the portrait’s current owner. The research for our exhibition has uncovered some fantastic stories and paintings of these important women, which we believe should be celebrated.”

Anyone with information as to the whereabouts of the painting is asked to contact the Foundling Museum on 020 7841 3600 or email enquiries@foundlingmuseum.org.uk

More Ladies of Quality and Distinction:

An oil painting, a three quarter length portrait of a seated woman wearing a blue and white dress. Sitting in a landscape, under a tree with a dog and lamb, holding a flower garland in her left hand, her head resting on her right hand.

Portrait of Henrietta, Duchess of Bolton as a Shepherdess, 1721. Photo © National Gallery of Ireland

oil portrait of Georgian lady with her hand resting on a dog

Andrea Soldi, Isabella Duchess of Manchester, 1738

a portrait of woman in a Georgian silk dress and

Elizabeth Knight, Lady Onslow, by Michael Dahl, 1731. post- conservation. She was married to Thomas Onslow, son of the 1st Baron Onslow.

a painting of a Georgian lady in a silk dress

Attr, Charles D’Agar, Charlotte Duchess of Somerset. Courtesy Lord Egremont

a painting of a Georgian lady in a silk dress and bonnet

William Hogarth, Frances Berkeley, Baroness Byron, c.1736 (c) Barnsley Museums, Cannon Hall Museum collection

a painting of a pale and haughty looking aristocratic lady with her children

Herman Van Der Myn, Elizabeth, 3rd Countess of Cardigan, 1729

Ladies of Quality & Distinction is at the Foundling Museum until January 20 2019.

venue

The Foundling Museum

London, Greater London

The Foundling Museum explores the history of the Foundling Hospital, the UK’s first children’s charity and first public art gallery. Established in 1739 by philanthropist Thomas Coram, and continuing today as the children’s charity Coram, the Hospital was set up as an institution ‘for the maintenance and education of exposed…

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